INSTALLATION
Klanglicht 2025
Rabbit Hole is a large light-and-sound installation built for Klanglicht. Choreographed lighting mapped to an original score, evolving from muted textures to saturated finales.

- Year
- 2025
- Duration
- 1 Months
- Discipline
- Exhibition
- My role
- Creative lead
- Visuals
- Seymur Mammadov, Sopio Archilia, Arinze Clinton
- Sound
- David Adlberger
Rabbit Hole is a large, light-and-sound installation built for Klanglicht’s RAUSCH theme. A tower structure hosts choreographed lighting mapped to an original score, evolving from muted textures to saturated finales. The piece is designed for processional viewing audiences approach, dwell through the narrative, and exit with the resolution sequence. Visual motifs include brain-like pulses, noise fields, and color blooms that synchronize tightly to musical phrasing.
Klanglicht 2025
Klanglicht is Graz’s annual festival of light and sound. The 2025 edition marked its 10-year anniversary with the theme RAUSCH, running October 24–27, 18:00–23:00 across multiple city locations and featuring international artists alongside student collaborations, including FH JOANNEUM’s “Vertigo.” It turns the city into an immersive canvas of color, music, and motion for four nights.
Concept: Rabbit Hole
Rabbit Hole is a poetic arc of creative process and life. Visitors begin in anxious greys and glitchy rhythms; whispered layers echo doubt and outside expectations. A pulsing “brain” motif rides breakthroughs and setbacks until noise resolves into harmony. Colors bloom, form settles, and the piece lands in clarity celebrating that hard-won moment when ideas finally click.
My part
I led our team’s piece, wrote the story behind it, and took part in building the tower with my classmates. I made the visuals for two sections, 0:30–1:42 and 2:13–3:10: finding the right images for each moment, animating them, and timing every change to the music so light and sound move as one.
Challenge
Coordinating a 40-person class to design a tower. Additionally production in itself was hard, but it ran smoothly and everyone stayed aligned. With one week on site, six teams worked in parallel. Days were construction; nights were visual editing: beat-accurate keyframing, continuous side-angle readability checks, and rapid fixes. The final 48 hours were sleepless re-mapping, re-timing, polishing transitions while juggling safety, cabling, and sightlines. Intense, but the pipeline held and the piece landed as intended.
Results
Over four nights, Vertigo drew 25,000+ visitors—steady queues, phones up, and applause after each cycle. Guests lingered, recording and discussing the piece in a positive spirit. For the team, the pipeline proved itself under pressure, enabling quick tweaks without downtime and delivering a polished, festival-ready experience.
Video Render
View from the sight
Audience


Construction Process

Stack
Project Access
Conclusion
Rabbit Hole distilled RAUSCH into an emotional arc—doubt to momentum to clarity—delivered at architectural scale. Coordinating a 40-person class, student-building the tower, and composing beat-tight visuals under a one-week window produced a cohesive, crowd-ready piece. With 25,000+ visitors over four nights, continuous applause, and positive chatter, the installation achieved its aim: shared catharsis through light, sound, and narrative timing.


